The work of Portishead co-founder the musician-producer, this sharp-edged if slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the rave-era youth were primarily out for number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single key story turn, but it results in a comically executed chaotic run on the forest trails that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film is in British and Irish cinemas from 17 November.
